Dionysiasm and Sophianic. Ontology and Anthropology of Femininity in the Project of Artistic Religion by Vyacheslav Ivanov
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Dionysiasm and Sophianic. Ontology and Anthropology of Femininity in the Project of Artistic Religion by Vyacheslav Ivanov
Annotation
PII
S004287440001155-5-1
Publication type
Article
Status
Published
Authors
Natalia А. Vaganova 
Occupation: St.Tikhon's Orthodox University, Associate Professor, Tchaikovsky Moscow State Conservatory, Associate Professor
Affiliation:
St.Tikhon's Orthodox University
Tchaikovsky Moscow State Conservatory
Address: Russian Federation, Moscow
Edition
Pages
128-139
Abstract

The article deals with a number of texts by Vyacheslav Ivanov, where he addresses to the role of woman in religious and artistic creation. According to the philosopher, the essence of religion is associated with the ecstatic states in which the systemically ineffable mystical primary element of the religious is revealed as such. The bearer of them is ontologically the feminine part of the human being. The energy of creative femininity, which determined the essence of the Dionysian religion, was then suppressed and historically superseded from the spheres of religious and social activity. Ivanov considers this deletion of a woman a relapse of pagan consciousness in Christianity, which has fatal consequences for both religion and culture in general. Meanwhile, the energy of femininity is ontologically unavoidable and requires its return to religious and artistic creation. Modern feminism only actualizes the bad infinity of the struggle of the sexes, meanwhile the restoration of «female dignity» should occur not so much in the social and legal as in the metaphysical and cosmic plans. According to the philosopher's plan, the renewal of the female creative principle must occur in the artistic religion of the near future, as in the catholic liturgical myth-creation. A special role in this process was to be played by the «feminine» spirit of the Slavdom and the Russian people as its bearer.

Keywords
Vyacheslav Ivanov, Dionysus, Sophia, Bakst, Bachofen, Solovyov, Symbolism, Feminism, Tragedy, Slavdom
Acknowledgment
The article is written in 2018 within the framework of the project «Russian religious thought of the second half of the 19th – beginning of the 20th cent.: The problem of German influence in the context of the crisis of spiritual culture» supported by PSTGU Development Foundation.
Date of publication
23.11.2018
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10
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761
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References

1. Akimova, Lyudmila I. (2007) The Art of Ancient Greece. Geometry. Archaic, Azbuka-Klassika, Saint Petersburg (in Russian).

2. Bernshtejn, Evgenij (2004) ‘The Tragedy of Sex: Two Notes on Russian Weiningerians’, New Literary Review, Vol. 65, 1 (2004), pp. 208–228 (in Russian).

3. Bongard-Levin, Grigorij M. (2001) ‘Vyach. Ivanov: I came to the Germans for a real science (I. Vyach. Ivanov in Rome: German Archaeological Institute II. V. Ivanov and T. Mommsen)’, Herald of Ancient History, Vol. 238, 3 (2001), pp. 150–184 (in Russian).

4. Demidenko, Yuliya B. (2006) ‘Artists at Wiach. Ivanov’s Tower’, The Tower of Viacheslav Ivanov and the Culture of the Silver Age, St. Petersburg State University, Faculty of Philology, pp. 212–219 (in Russian).

5. Obatnin, Gennadij V. (2000) Ivanov-Mystic. Occult Motives in Poetry and Prose by Vyacheslav Ivanov (1907–1919), New Literary Review, Moscow (in Russian).

6. Westbroek, Philip L. (2007) Dionysus and Dionysian Tragedy. Vyacheslav Ivanov –Philological and Philosophical Ideas on Dionysiasm, Amsterdam (in Russian).

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